{"id":10404,"date":"2026-11-03T20:37:41","date_gmt":"2026-11-03T20:37:41","guid":{"rendered":"https:\/\/darknoisemagazine.cl\/?p=10404"},"modified":"2026-11-03T20:39:43","modified_gmt":"2026-11-03T20:39:43","slug":"atarashi-gakko-y-su-paso-por-nuevos-sonidos","status":"publish","type":"post","link":"https:\/\/darknoisemagazine.cl\/index.php\/2026\/11\/03\/atarashi-gakko-y-su-paso-por-nuevos-sonidos\/","title":{"rendered":"atarashi gakko y su paso por nuevos sonidos."},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>TARASHII GAKKO!<sup><\/sup><\/strong> (Atarashii Gakkou no Leaders) se ha posicionado como uno de los fen\u00f3menos m\u00e1s disruptivos y singulares de la m\u00fasica japonesa e internacional.<sup><\/sup> Su paso por la escena actual destaca por romper las normas tradicionales del J-Pop mediante la fusi\u00f3n de g\u00e9neros, teatralidad y una marcada actitud anticonformista.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">A diferencia de los grupos de <em>idols<\/em> convencionales, el cuarteto integrado por SUZUKA, MIZYU, KANON y RIN autodirige sus complejas e hiperactivas coreograf\u00edas y mezcla un abanico sonoro sin restricciones:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/Atarashii_Gakko-1024x684.webp\" alt=\"\" class=\"wp-image-10405\" srcset=\"https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/Atarashii_Gakko-1024x684.webp 1024w, https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/Atarashii_Gakko-300x200.webp 300w, https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/Atarashii_Gakko-767x512.webp 767w, https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/Atarashii_Gakko-329x220.webp 329w, https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/Atarashii_Gakko-419x280.webp 419w, https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/Atarashii_Gakko-614x410.webp 614w, https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/Atarashii_Gakko-860x574.webp 860w, https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/Atarashii_Gakko.webp 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong> (2015\u20132020):<\/strong> Debutaron combinando <em>jazz<\/em>, <em>funk<\/em>, <em>rock<\/em> alternativo y elementos tradicionales japoneses (como en los discos <em>Maenarawanai<\/em> y <em>Wakage Ga Itaru<\/em>). Su uniforme escolar <em>sailor fuku<\/em> contrasta intencionalmente con una actitud rebelde y humor\u00edstica.<\/li>\n\n\n\n<li><strong> (2021\u20132023):<\/strong> Al firmar con el sello internacional 88rising, expandieron su propuesta con lanzamientos como el EP <em>SNACKTIME<\/em> (producido por Money Mark) y el \u00e1lbum <em>Ichijikikoku<\/em>. El sencillo <em>\u00abOTONABLUE\u00bb<\/em> se convirti\u00f3 en un fen\u00f3meno viral global por su ritmo de showa-retro pop y su ic\u00f3nico baile de cabeza.<\/li>\n\n\n\n<li><strong>Giro Electr\u00f3nico y Post-Punk:<\/strong> Con el \u00e1lbum <em>AG! Calling<\/em> (2024) y sencillos como <em>\u00abTokyo Calling\u00bb<\/em> y <em>\u00abToryanse\u00bb<\/em>, la agrupaci\u00f3n profundiz\u00f3 en sonidos <em>hyperpop<\/em>, <em>electro-funk<\/em>, <em>hip-hop<\/em> y bases electr\u00f3nicas pesadas dise\u00f1adas para grandes escenarios y festivales internacionales.<\/li>\n\n\n\n<li><strong> (<em>From Tokyo with Love<\/em>, 2026):<\/strong> En su trabajo discogr\u00e1fico <em>From Tokyo with Love<\/em> (2026) y temas como <em>\u00abOi AG!\u00bb<\/em>, <em>\u00abTTTTOKYO\u00bb<\/em> y <em>\u00abChanka Chanka\u00bb<\/em>, el grupo consolid\u00f3 un sonido m\u00e1s maduro pero ruidoso, combinando estructuras de <em>dance-pop<\/em> expansivo con la expresividad vocal rasgada de SUZUKA y pasajes de rap alternativo.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Por: MX<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"452\" src=\"https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/images-26.jpg\" alt=\"\" class=\"wp-image-10409\" srcset=\"https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/images-26.jpg 678w, https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/images-26-300x200.jpg 300w, https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/images-26-330x220.jpg 330w, https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/images-26-420x280.jpg 420w, https:\/\/darknoisemagazine.cl\/wp-content\/uploads\/2026\/11\/images-26-615x410.jpg 615w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>TARASHII GAKKO! (Atarashii Gakkou no Leaders) se ha posicionado como uno de los fen\u00f3menos m\u00e1s disruptivos y singulares de la m\u00fasica japonesa e internacional. Su paso por la escena actual destaca por romper las normas tradicionales del J-Pop mediante la fusi\u00f3n de g\u00e9neros, teatralidad y una marcada actitud anticonformista. A diferencia de los grupos de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10407,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[40],"tags":[],"class_list":["post-10404","post","type-post","status-publish","format-standard","has-post-thumbnail","category-resenas"],"_links":{"self":[{"href":"https:\/\/darknoisemagazine.cl\/index.php\/wp-json\/wp\/v2\/posts\/10404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/darknoisemagazine.cl\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/darknoisemagazine.cl\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/darknoisemagazine.cl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/darknoisemagazine.cl\/index.php\/wp-json\/wp\/v2\/comments?post=10404"}],"version-history":[{"count":2,"href":"https:\/\/darknoisemagazine.cl\/index.php\/wp-json\/wp\/v2\/posts\/10404\/revisions"}],"predecessor-version":[{"id":10410,"href":"https:\/\/darknoisemagazine.cl\/index.php\/wp-json\/wp\/v2\/posts\/10404\/revisions\/10410"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/darknoisemagazine.cl\/index.php\/wp-json\/wp\/v2\/media\/10407"}],"wp:attachment":[{"href":"https:\/\/darknoisemagazine.cl\/index.php\/wp-json\/wp\/v2\/media?parent=10404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/darknoisemagazine.cl\/index.php\/wp-json\/wp\/v2\/categories?post=10404"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/darknoisemagazine.cl\/index.php\/wp-json\/wp\/v2\/tags?post=10404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}